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Revolutionary presets and camera profiles streamline your workflow and produce beautiful post-processing results. VSCO Film 01: Modern Films leverages the full range of tools in Adobe Lightroom CC, 6, 5 & 4 — such as the 2012 process and RGB Curves — to mirror the subtle nuances of analog film. Film 02 now includes custom camera profiles for Canon T6i (EOS 750D), Canon T6s (EOS 760D), Fuji X-A2, Fuji X-Q2, Nikon D5500, Nikon D7200, Olympus M5 MKii (OM-D E-M5MKii), and Sony A7M2 (ILCE-7M2). VSCO Film 01 works best with RAW files.

Jun 15, 2018 - The VSCO Film Complete Pack for Mac is a set of presets. Into Nikon Pro, Canon Pro and Fuji Pro (with the latest FILM 01 release). Adobe Photoshop Lightroom 4/5/6; Adobe Photoshop CS6/CC; Adobe Camera Raw. VSCO Film 1,2 and 3 are presets for Lightroom and Photoshop. The three packs have. These images were processed with VSCO Film Pack 01. These images.

Though still compatible with JPEG images, VSCO Film works less accurately on those. System Requirements • Adobe Lightroom VSCO Film for Adobe Lightroom requires Adobe Lightroom CC, Classic CC, 6, 5, or 4 to work properly. To download the latest version of Adobe Lightroom, go here: • Adobe Camera Raw VSCO Film for ACR requires Photoshop CC or CS6 to work properly. To download the latest version of Adobe Camera Raw, go here: http://www.adobe.com/downloads/updates/.

I get a lot of emails about how I get my digital images to look the way they do. The truth is that most of it is done in camera, properly exposed images shot in good light is what makes a good image, not the processing.

With that said though, I do edit my images. Ever since VSCO film was released in 2011, I have used their presets for all my editing, I rarely even open photoshop these days. Are presets for Lightroom and Photoshop. The three packs have a number of presets made to mimic different film stocks.

I use all three packs, which presets I use generally depends on my own mood, i have used and use pretty much all of the presets, but I rarely use more than one colour and one black and white preset per wedding or shoot. Pack 1 has the most classic looks, pack 2 have a few more dramatic looks and pack 3 are presets made to look like instant film (polaroid). Not only has VSCO helped me speed up my processing immensly, it has made me happy with my processing. I generally don’t have to tweak my images at all after I’ve applied the different presets and for someone who shoots as much as i do, that’s amazing.

I also use another product from VSCO called VSCO Keys. VSCO Film cut my editing time in half, when I started using VSCO Keys, my editing time was cut in half again. In short VSCO Keys are keyboard shortcuts for Lightroom and using it has helped me speed things up dramatically. My favourite presets are Fuji 400, Fuji 800Z, T-Max 3200 ++, Ilford Delta 3200 ++, Superia 100 and Portra 400 NC ++. I use the presets in pack 3 for flavour and mainly on individual shots.

You can buy all. These images were processed with These images were edited with These images were processed with. Love your work and have been admiring it for some time! I’ve also been using VSCO for a couple of years now and have not been able to achieve consistent editing with it like you have. Half the time I nail it, the other half not so much.

So after awhile, it got me thinking that maybe my in camera work needs, well, work. I was wondering how you deal with varying temperatures – do you use auto white balance?

And when you expose, do you try to hit the mid level range of the histogram? Or do you tend to favor the left side of the histogram? I tend to overexpose my images and I was wondering if I should lay off that habit, lol. Anyways, I believe post editing helps bring your own unique storytelling to life and it’s hard to do that when one can’t post process the way they want it to look. =/ So yah, any pointers in nailing a well exposed pic in camera so I can make my life easier for post processing? Thank you, thank you, thank you for taking the time to read this and for sharing this post!